OCE575

Marine Bioacoustics

Spring 2005

Wednesdays, 6:00-8:30 PM, CACS 108, Narragansett Bay Campus

Instructors:
Office:
Phone:
e-mail: 

Peter Scheifele
Middleton 13, Bay Campus
860-405-9103
acousticp2@juno.com

James H. Miller
Middleton 114, Bay Campus
401-874-6540
 miller@uri.edu

John P. Preece

302 Fernwood

(401) 874-4734

preece@uri.edu

Target Audience: Graduate students and upper level undergraduates in engineering, biology,
and oceanography interested in sound and marine animals.

Course Goal: To provide each student with the tools, techniques, and knowledge to understand
hearing and sound production in marine animals and the effects of man-made noise on these animals.

Catalog description: Introduction to marine mammal hearing, sound production, and the
uses of sound for communication and echolocation; dolphin sonars; analysis and processing
of marine mammal signals including passive tracking; the effects of noise on marine mammals.
(Lec. 3)

Textbooks: The Sonar of Dolphins by Whit Au (available in the URI Bookstore). Journal articles and handouts will also be provided.

Grading: This course will be graded A-F based on attendance, quiz/examination grade, and a project presentation and homework assignments.

Disablities: If you have a documented disability, which may require individual accommodations,
please make an appointment with one of us as soon as possible. We will discuss how to meet
your individual needs to insure your full participation and fair assessment procedures.

Blue whales are one of the loudest marine mammals and use low frequency sound to communicate over long distances underwater. Sound production in a blue whale is a subject of current research and will be discussed in this course.
 

List of Topics:

  1. Introduction to course
  2. Signal processing fundamentals
  3. Acoustic fundamentals
  4. Introduction to cetacea
  5. The Receiving System Anatomy
  6. Neuroanatomy
  7. Necropsy Head and Neck Pro-section
  8. Psychoacoustics
  9. Hearing
  10. Electrophysiological Testing
  11. Noise Effects
  12. Sound Production Anatomy
  13. Active Vocalization